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Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders

SKU: AHSQ7 MFR: AH-SQ-7
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Key Features

  • Achieve pristine sound quality with the SQ-7's high-resolution 96kHz sampling rate.
  • Command your mix with 32+1 motorized faders, perfect for precise control in live sound.
  • Seamless USB interface allows for easy recording and playback of up to 32 channels.
  • Enjoy ultra-low noise performance, ensuring a clean and professional audio output every time.
  • Shape your sound with comprehensive EQ control, offering 4-band parametric equalization.
  • Built for durability, the Allen & Heath SQ-7 withstands the rigors of touring and studio use.
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Allen & Heath SQ-7 Specifications

  • Mic/Line Inputs

    Mic/Line Inputs: Balanced XLR, fully recallable
    Input Sensitivity: -60 to +0 dBu
    Switchable Pad: -20 dB
    Analog Gain: 0 to +60 dB, 1 dB steps
    Maximum Input Level: +30 dBu
    Input Impedance: >5 kOhms
    THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz - 20 kHz, AES direct out, at 0 dBu 1 kHz)
    THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz - 20 kHz, AES direct out, at -30 dBu input 1 kHz)
    Phantom Power: +48V (+3V / -2V)

  • Stereo Line Inputs

    ST1, ST2 Connectors: Balanced, 1/4" / 6.3 mm TRS
    ST3 Connector: Unbalanced, stereo 1/8" / 3.5 mm
    Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3
    Trim: +/-24 dB
    Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu
    Input Impedance: >7 kOhms

  • Analog Outputs

    Outputs 1-16: Balanced, XLR
    Outputs A and B: Balanced 1/4"" / 6.3 mm TRS
    Source: Patchable
    Output Impedance: < 75 Ohms
    Nominal Output: +4 dBu = 0 dB meter reading
    Maximum Output Level: +22 dBu
    Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz)

  • AES Digital Audio Outputs

    AES Digital Output: Balanced XLR, 2 channel
    96 kHz sampling rate (default with SRC bypassed)
    Switchable Output Sample Rates: 44.1, 48, 88.2, 96 kHz
    2.5 Vpp balanced terminated 110 Ohms

  • Network Connections

    Connection: Neutrik etherCON (RJ45)
    dSNAKE mode (48 kHz devices): 64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu
    dx mode (96 kHz Devices): 32 channels assignable, compatible with DX168
    gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ and DXHub
    Inputs: Fully patchable
    Outputs: Fully patchable
    Sync/SRC: Assignable as master audio sync for all modes, SRC 64-channel

  • I/O Expansion Module

    Multi-channel IO option module
    Inputs: Fully patchable
    Outputs: Fully patchable
    Sync/SRC assignable as master audio sync

  • Audio

    Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input

  • Dynamic Range

    112 dB

  • Frequency Response

    20 Hz to 20 kHz (+0/-0.5 dB)

  • Headroom

    +18 dB

  • Operating Level

    Internal Operating Level: 0 dBu

  • THD+N

    THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders at 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz)

  • dBFS Alignment

    +18 dBu = 0 dBFS (+22 dBu at XLR output)

  • Metering Accuracy

    Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out)

  • Metering

    Main Meter Type: 2 x 12-segment, fast (peak) response
    Channel Meter Type: Chromatic Channel Metering, fully programmable color/brightness
    Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing

  • Sampling Rate

    96 kHz

  • Bit Depth

    Uses XCVI core custom bit widths in algorithms, up to 96-bit

  • Latency

    < 0.7 ms, local mic input routed to main L/R. (direct, no EQ/effects)

  • Faders

    3.9" (99.06mm), motorized

  • Touch Screen

    7.0" (17.78cm), capacitive, 800 x 480 resolution, 24-bit RGB

  • Softkeys

    Softkeys: 16
    SoftRotarys: 8

  • Groups

    Mute Groups: 8
    DCA Groups: 8

  • Network

    TCP/IP Ethernet for MIDI and control

  • MIDI

    TCP/IP and USB Type-B

  • Footswitch

    Single or dual, momentary or latching

  • Source

    Channels 1-48: Fully patchable
    USB Global Source: SQ-Drive or USB Type-B streaming

  • Polarity

    Normal/inverted

  • Trim

    -24 to +24 dB

  • High Pass Filter

    12 dB/octave, 20 Hz to 2 kHz

  • Insert

    Insert (Pre EQ/Comp): Fully patchable

  • Input Delay

    Up to 341 ms

  • Gate

    Gate: Patchable sidechain
    Sidechain Filter: Hi-pass (20 Hz to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz)
    Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB
    Attack / Hold / Release: 50 Mus to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second

  • Parametric Equalizer

    PEQ: 4-band fully parametric, 20 Hz to 20 kHz, +/-15 dB
    Band 1, Band 4: Selectable shelving (Baxandall), bell
    Band 2, Band 3: Bell
    Bell Width: Variable Q, 1.5 to 1/9th octave

  • Compressor

    Compressor: Patchable sidechain
    Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1
    Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity
    Attack / Release: 30 Mus to 300 ms / 50 ms to 2 seconds
    Knee: Soft/hard
    Detector Response: Peak/RMS switchable
    Parallel Path Compression: Dry/wet -infinity to 0 dB

  • Channel Direct Out

    Follow fader, mute, mute group, DCA (global all channels)

  • Source Selection

    Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay
    Trim: -Infinity to 10 dB per channel

  • Delay

    Output: Up to 682 ms

  • Graphic Equalizer

    28 bands 31 Hz to 16 kHz, +/-12 dB gain, constant 1/3 octave

  • FX

    Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
    Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
    8x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ

  • PAFL

    PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL
    Delay up to 682 ms

  • Talkback

    Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF

  • Signal Generator

    Assignable to any mix, (sine/white/pink/bandpass noise)

  • RTA Real Time Analyzer

    31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source

  • Recorder

    SQ-Drive: USB Type-A
    Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable
    Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable
    Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable
    Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable

  • USB Audio

    USB Audio Streaming: USB Type-B, Core Audio compliant, ASIO/WDM for Windows
    Send (Upstream): 32-channel, 96 kHz, 24-bit
    Return (Downstream): 32-channel, 96 kHz, 24-bit

  • Automatic Mic Mixing

    AMM: 2x 24 channels or 1x 48 channels, freely assignable
    Mode: Gain sharing
    Sidechain Filter: 12 dB/octave
    HPF: 20 Hz to 5 kHz
    LPF: 120 Hz to 20 kHz
    Priority: -15 dB to +15 dB per channel

  • Power

    100 to 240 VAC, 50 / 60 Hz
    Maximum Power Consumption: 110W

  • Operating Temperature

    0 to 40 deg. C (32 to 104 deg. F)

  • Dimensions (WxHxD)

    31.7 x 20.3 x 7.8"" (80.52 x 51.56 x 19.81cm)

  • Weight

    39.3 lbs (17.83kg)

  • UPC Code

    6938122247482

About Allen & Heath SQ-7

After extensive research and development, Allen & Heath presents the SQ-7 48-Channel / 36-Bus Digital Mixer, the flagship console in the SQ series. This advanced digital mixer is powered by the revolutionary 96kHz XCVI FPGA engine, designed to deliver exceptional high-resolution audio quality and ultra-low latency.

Ideal for demanding scenarios such as AV, corporate events, live productions, and houses of worship, the SQ-7 offers pristine audio quality and precision control. The mixer's DEEP processing architecture allows users to select boutique compressor and preamp emulations to suit their style and needs. These DEEP plugins can be embedded directly within the mixer's inputs and mix channels, eliminating system latency or setup hassles.

The SQ-7 stands out as the ultimate IEM mixer, offering 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix. Its compact and rugged build quality makes it a reliable companion for in-ear monitoring setups.

As the largest model in the SQ series, the SQ-7 boasts the highest number of onboard preamps and built-in output sockets. It features 32 pristine XLR mic or line inputs, a talkback input, and 3 stereo line inputs. The mixer's 16 XLR, 2 TRS jack, and stereo AES digital outputs can be freely and individually patched, providing unparalleled flexibility.

The SQ-7's SLink intelligent port allows for expansion up to a total of 48 mic inputs, making it a versatile solution for owners of other Allen & Heath digital systems. The mixer is also compatible with leading audio networking standards, allowing for seamless integration with installed systems and digital FoH / Monitor splits.

The integrated SQ-Drive facilitates quick and easy capture of a 96kHz multitrack or stereo recording of the show directly to a USB key or drive. The mixer also features a built-in 32x32 96kHz audio interface for multitrack recording, backing tracks, or virtual soundcheck applications.

The SQ-7's advanced automatic mic mixers (AMM's) make it an excellent choice for mixing conferences, panel talks, and TV shows. The mixer's design and build quality reflect Allen & Heath's commitment to durability and reliability, with a 3-tier, all-metal chassis and an extruded aluminum light bar.

The SQ-7 offers a customizable mixing experience, with options that allow you to design your own workflows. The mixer features assignable 16 SoftKeys and 8 Soft Rotaries with LCD displays, patented Chromatic Channel Metering system, and a 'channel to all' mix button for instant access to all send levels and assignments for the selected channel.

The SQ-7 is also compatible with the ME Personal Mixing System, allowing performers to control their own monitor mixes. The mixer is part of a growing ecosystem of apps, expanders, audio networking, personal mixers, and more, offering the flexibility to connect, adapt, and expand as needed.

In conclusion, the SQ-7 48-Channel / 36-Bus Digital Mixer is a state-of-the-art, professional-grade audio equipment that offers high-quality sound, sophisticated features, and unparalleled flexibility, making it a top choice for live sound and music production.

Allen & Heath SQ-7 Features

  • 96kHz FPGA processing
  • 48 Input Channels
  • DEEP Processing ready
  • 33 Faders / 6 Layers
  • 12 Stereo mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + dedicated stereo returns
  • 7" capacitive touchscreen
  • SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking
  • 32x32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output
  • Chromatic channel metering
  • Integrated LED illumination
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable Soft Rotaries
  • Channel LCD displays

Warranty Information

This product has a limited warranty of 12 months.

Key Features

  • Achieve pristine sound quality with the SQ-7's high-resolution 96kHz sampling rate.
  • Command your mix with 32+1 motorized faders, perfect for precise control in live sound.
  • Seamless USB interface allows for easy recording and playback of up to 32 channels.
  • Enjoy ultra-low noise performance, ensuring a clean and professional audio output every time.
  • Shape your sound with comprehensive EQ control, offering 4-band parametric equalization.
  • Built for durability, the Allen & Heath SQ-7 withstands the rigors of touring and studio use.

What's in the box:

  • Allen & Heath Professional SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders
  • Power Cord
  • Allen & Heath 1 Year Limited Warranty