One of the biggest contributions of modern technology to the music industry is the creation of wireless microphones. With better sound quality that can potentially replace wired microphones forever, a wireless mic offers many benefits—such as the freedom to move around and get more intimate with the audience without tripping on wires—for a completely untethered performance.
If you’re a singer, public speaker, lecturer, podcaster, actor, reporter, or even a music producer or band manager looking for a good wireless microphone for your performers, we’ve rounded up 10 of the best ones out there to help you find the right one for your specific needs.
When You Should Use a Wireless Mic
Wireless microphones are ideal for any kind of untethered performance or recording. Musicians, public speakers, lecturers, house of worship leaders, content creators, and more can all benefit from a cable-free microphone. A wireless mic gives performers the freedom to roam the stage without getting tangled up in XLR runs, and creators the ability to record on the go.
Even front-of-house (FOH) engineers can benefit from having wireless microphones at their disposal. Fewer cables mean a cleaner stage, and it also removes the variable of cable failure. Going wireless presents a new set of challenges, like keeping batteries charged and maintaining line-of-sight between transmitter and receiver, but the freedom it offers performers is unmatched.
Best Wireless Microphones
The wireless mic you’ll need depends largely on how you’ll use it. Below, we’re breaking down the best wireless microphone options depending on your application.
Wireless Instrument Microphone Systems
Good: Saramonic UwMic15 UHF Wireless Microphone System
The Saramonic lavalier is a good all-around wireless system for standard use. The bodypack transmitter is small enough and light enough to easily conceal in a pocket, and the locking 3.5mm jack keeps the omnidirectional microphone from disconnecting. The wireless mic also has a versatile alligator clip for mounting just about anywhere.
Perhaps best of all, set-up is completely hassle-free. Thanks to infrared synchronization, the RX15 receiver includes an auto-scan function that searches for open transmission frequencies on its own. Stability and interference are two of the biggest worries with a wireless mic, and the Saramonic does a tremendous job of keeping those in check.
Better: Boss WL-20L Wireless System
The first time an instrumentalist goes wireless is a revelation. Gone are the days of tripping over ¼” cables, untangling them before every use, and coiling them back up again after every rehearsal or gig. And luckily, making the leap to wireless doesn’t have to be a complicated affair.
The Boss WL-20L is aimed primarily at electric guitarists or bassists, and it’s as easy as plugging in a standard instrument cable. Just plug the transmitter into your guitar, and the receiver into your amp, and you’re good to go. This Boss system includes the same technology found in the Katana-Air amplifier, so it’s reliable and easy to use.
Best: Sennheiser EW-D CI1 Digital Wireless Instrument Set
Amongst the best-of-the-best in wireless instrument technology is the Sennheiser Evolution Wireless Digital series. Though it may seem intimidating, just turn the system on and it will automatically secure the strongest signal in seconds. It also offers an industry-leading dynamic range, which never compromises the quality of your sound.
Raising the bar even higher is the Sennheiser Smart Assist app for Android and iOS. The app syncs your mobile device to the wireless system via Bluetooth Low Energy, providing access to all system settings, automated setup, and mobile monitoring. EWD is high-tech and user-friendly, putting it in a class all its own.
Lavalier Microphone Wireless Systems
Good: Godox MoveLink M2 Digital Wireless Microphone System
The Godox MoveLink is designed for content creators to capture audio on the move. Nontraditional in looks, the MoveLink set contains three rectangular units — one receiver and two transmitters with built-in microphones (as well as optional lavaliers).
The receiver is meant to attach to any recording device with a 3.5mm jack, such as a smartphone. Each transmitter has a built-in omnidirectional mic to capture crystal-clear audio, and it’s inconspicuous enough to not draw attention to itself.
Not only that, but the setup is lightning-quick, too. Just power up, plug in the receiver, and go. Plus, all three units fit inside a charging case that’s roughly the size of a mobile device, making charge breaks as easy as it gets.
Better: Sennheiser EW-D ME2 Digital Wireless Lavalier Set
One of the top mid-range wireless Lavalier systems is the Sennheiser EW-D ME2. Powered by the brand’s groundbreaking Evolution Digital Wireless technology, the signal has the highest dynamic range of any system currently available. Pair that with the omnidirectional lapel microphone for uncompromising sound quality.
Wireless units like these appear to have a bit of a learning curve, but that isn’t the case with the EWD series. When you power the system, it will automatically find the channel with the strongest signal within a few seconds. Integrate with Sennheiser’s Smart Assist app for Android and iOS for advanced control of the EWD ecosystem.
Best: Shure QLXD14/83 Lavalier Wireless Microphone System
Shure’s QLXD series is perfect for professional installation in music venues, houses of worship, and event centers. Despite its advanced set of professional features, the Shure wireless microphone keeps setup and operation simple. The receiver automatically scans for open channels, and you’re only one touch away from syncing the transmitter.
Once you’re up and running, the signal provides 256-bit encryption for maximum security, with an operating range of up to 330 feet. The bodypack draws power from two AA batteries or an optional rechargeable lithium-ion battery from Shure to save money in the long run. Finally, you can remotely control the system’s settings from a computer using the compatible Wireless Workbench software.
Handheld Microphone Wireless Systems
Good: Shure BLX24/PG58 Handheld Wireless System
The Shure wireless microphone BLX family combines professional sound quality with fast and intuitive setup. The lineup includes a variety of configurations, such as single- or dual-channel systems with either a handheld vocal microphone, lavalier, or both. Using a wireless microphone for singing, you’ll typically go with a handheld like this one.
The BLX24 is a single-channel system paired with the PG58 handheld dynamic microphone. This is a wireless mic comparable to the most famous stage vocal mic ever — the formidable SM58. Ideal for lead or background vocalists, the BLX24/PG58 combo gives performers room to move with a trustworthy and reliable wireless signal.
Better: Sennheiser EW-D 835-S Digital Wireless Handheld Set
State-of-the-art live sound has never been more accessible thanks to Sennheiser’s Evolution Wireless Digital technology. Now you can take advantage of the legendary 835 microphone capsule with no strings attached. This single-channel system consists of an auto-scanning receiver and a lightweight, wireless version of the e 835 dynamic vocal microphone.
To fully experience everything this system has to offer, sync your mobile device via the Smart Assist app. An “engineer in your pocket,” Smart Assist gives unlimited access to everything EWD has to offer, so you can dial in the best wireless sound quickly and conveniently.
Best: Shure QLXD24 Wireless Microphone System
Near the top of the list when it comes to professional systems is the Shure wireless microphone QLXD24 receiver, offering up to 17 systems per 6 MHz channel and up to 22 per 8 MHz channel. It automatically scans to find the cleanest, strongest wireless frequency for seamless installation and operation. The receiver is also compatible with the ULXD line of wireless gooseneck and boundary microphones.
The included QLDX2 handheld microphone transmitter (equipped with the Beta 87A capsule here) is remarkably versatile thanks to swappable capsules. The transmitter is only the body; equip it with the Beta 58A, SM86, or SM58 capsules to fine-tune the sound for the given vocalist or instrument. It’s easily one of the best wireless microphones available.
Wireless Camera Microphones
Good: Godox MoveLink M2 Wireless Microphone System
The Godox MoveLink system is incredibly affordable and easy to use, especially for anyone new to content creation and wireless recording. The set includes two transmitters and one receiver that fits neatly into a charging case.
Ideally, you’d attach the Godox receiver to your camera’s shoe mount and connect the 3.5mm cable to record audio straight to the camera. The transmitters can be clipped onto a person, such as yourself or the video subject. It contains a built-in omnidirectional microphone, complete with a windscreen to shield your sound from outside noise. Alternatively, the set comes with more traditional lavaliers to capture audio as well.
Better: Sennheiser ew 112P G4 Camera-Mount Wireless Omni Lavalier Microphone System
The Sennheiser G4 system is a flexible solution for video sound and on-location recording with broadcast-quality audio. The clip-on ME 2 omnidirectional microphone offers standard lavalier performance, while an optional ME 4 cardioid mic is best for cleaner, more directional recording.
Simply mount the G4 receiver to a camera’s shoe and use the 3.5mm audio output to connect to the camera or another compatible device for recording. The transmitter is fast and easy to sync with the receiver. Most importantly, the signal is powerful and reliable for any kind of field recording.
Best: Deity Microphones Deity Connect Interview Kit
For the ultimate in reliability and versatility, look no further than the Deity Connect interview kit. You can do anything from a sit-down interview to broadcast with the whole package. It comes with a dual-channel receiver (DUO-RX), a bodypack transmitter (BP-TX), and a plug-on transmitter (HD-TX) with onboard recording. You can even monitor the recording, playback files, rename files, and delete takes — all from the plug-on transmitter.
What’s more is the HD-TX has three built-in safeguards to prevent lost data. The first is a built-in battery so you don’t accidentally load half-dead AAs. The second is an automatic save function if the battery is about to die. Thirdly, there is an additional auto-save when the power button gets pressed in the middle of a recording. The unit will stop recording, save it, and then power down. Never lose a file again!
How Does a Wireless Microphone System Work?
A wireless microphone system has a minimum of two main parts: a transmitter and a receiver. More complex models will have additional equipment, like a lavalier mic that attaches to the transmitter or a headset that attaches to the receiver.
Models designed for amateurs and full-on professional wireless microphone systems both work in the same way. The transmitter takes the audio from a microphone and transmits it wirelessly to a receiver. That transmission can be digital, or more commonly, analog. The receiver then connects to a recording device or video camera.
Microphone
In a wireless microphone system, there are two possible designs. The less common version is a small transmitter with a small built-in mic. The more common version is a full-sized mic with a transmitter built in. The best wireless microphones will deliver long battery life, great range, and excellent sound quality.
A rechargeable mic can be more convenient because you never have to replace the batteries. However, a non-rechargeable model has the flexibility to use rechargeable batteries and swap in fresh batteries when needed on the fly.
Handheld
A handheld mic looks like the traditional mic used by vocalists worldwide. They’re typically around 12 inches long and have the transducer at one end, sometimes in a small protective cage. A wireless handheld mic will include batteries and a transmitter.
Headset
A wireless headset mic is far less noticeable to an audience. These allow the performer to use both hands, either for effect or to play an instrument without being rooted to a mic mounted on a stand. In noisy environments, they often isolate voices better than handheld microphones.
Lavalier
A Lavalier mic is the smallest, hardest-to-see microphone. They clip to a lapel or collar, and can often blend in completely. Newscasters and talk show hosts often use these, because a visible mic could distract from the action. Wireless Lavalier mics come with a separate transmitter.
Transmitter
All wireless mics have a transmitter. In some models, this is built into the mic. With smaller microphones, the transmitter is a separate device, connected to the mic via a small cable. This transmitter “pack” can be clipped to a belt or placed in a pocket. Some wireless microphone systems have transmitters that can connect to any traditional portable mic.
Transmitters need to be matched to receivers that can operate on the same frequencies and with the same technology. For instance, a digital-only transmitter probably won’t work with an analog receiver.
Receiver
A wireless microphone system’s other half is the receiver. This accepts the signal from the transmitter and converts it into something you can record. The receiver will connect, usually via an analog signal, to a recording device, a camera, or in the case of live events, a mixing board or PA.
Receivers usually need to be matched with transmitters, though sometimes different models from the same brand will work interchangeably. Different brands may work together as well, but it’s best to check compatibility before you buy. At the very least, make sure any new transmitters you purchase work on the same frequencies as your current receiver.
What Should I Look for in a Wireless Microphone?
The best wireless microphones will offer the range you need, great battery life, and the sound quality to make you or your performers sound their best. A good professional wireless microphone system will work in just about every situation.
No matter how enticing advanced features may sound, choosing a wireless mic system that is most suited to your needs all boils down to the following questions:
- What are you going to use it for? Will it be for instrument, lavalier, handheld, or camera applications?
- Will you be traveling with the system?
- How many individual wireless sources will be in use at once?
- What is your budget?
Here’s what you should look for in a wireless microphone.
Handheld vs headset
It’s important to narrow down what type of wireless microphone will work best for your venue or event. A handheld wireless mic works well in many situations, while a headset model leaves the performer’s hands-free. A Lavalier wireless microphone system will be nearly invisible. The top wireless microphone brands make mics of each type.
Analog vs digital
One of the biggest differences in wireless microphone systems right now is between analog and digital models. Analog is the more traditional technology and is a “tried and true” option. Analog wireless microphones typically have excellent range, work on a wide variety of frequencies, and have less chance of interference.
Digital cordless mics are much newer. In theory, they can offer better sound quality, but they can also create interference issues with other technologies. They also may not work well through walls compared to analog wireless mics. The best wireless microphone brands often have both digital and analog models.
Ideally, you should buy all your wireless mics as part of a system with a same-brand receiver. If you need more mics in the future, buy models from the same line. That’s not always possible, so make sure that whatever mic you’re considering also works on the same radio bands as your receiver. Many of the top wireless mic brands have models with multiple band options.
Latency
While latency is another key point in the dispute between analog and digital wireless mic systems, it’s important enough in itself to merit its own section. Defined as the amount of time it takes for a signal to come out as an audible sound, latency greatly impacts performers. Musicians, for example, may complain that the sound they hear on stage is smeared, making it harder for them to stay in tune and in tempo.
Analog wireless systems boast virtually zero latency since they make use of signals traveling at extremely fast rates directly. On the other hand, digital modules need to convert analog signals to digital before getting processed by microcontrollers. As innovations in companding have led to a more level playing field in terms of sound quality, advanced engineering has allowed high-end digital wireless microphone systems to have latency rates below five milliseconds.
Wireless microphone systems with latencies of up to 15 ms are enough if you’re only using them for conferences and symposiums where slight delays are negligible. But if your production banks on more artistic routes (such as theater, filmmaking, and music), you’d be much better off investing in high-quality wireless microphones with the lowest possible latency rates.
Diversity Circuitry
Diversity refers to a wireless microphone system’s ability to combat signal dropouts due to multipath — an effect of indirect waves reflected from the environment weakening the target signal below the receiver’s muting threshold. Wireless microphone systems equipped with this feature have two antennas at different locations to receive inputs from a single transmitter. Coupled with an automatic switching reception circuit, the antenna that receives the stronger signal is instantly selected to carry out operations.
True enough, not having to worry about audio loss or noisy reception are things you’d want to have no matter what sort of production you’re aiming to do. However, diverse wireless systems generally cost more than non-diversity microphones, putting a hurdle in what should be a straightforward decision.
If your budget can accommodate it, get a diverse wireless microphone system. It will no doubt outperform its rival non-diversity models and make your life a lot easier. You’ll get the most out of the gear if you intend to use it in places that have many obstructions that contribute to signal blocking and deflection. But if your budget is constrained, you can make do with non-diversity systems, especially if you’ll only be using your wireless microphone system in open locations, making signal dropouts due to multipath naturally less likely.
Frequency Agility & Automatic Frequency Selection
Wireless microphone systems that are said to be “frequency agile” are those that offer users an array of frequency paths to work with. This is particularly important when your production set requires multiple wireless systems operating at the same time, or when it is stationed at a location where there is a multitude of competing signals coming from other wireless devices.
Frequency agility in wireless microphone systems ensures smooth transmission and reception by giving you several frequency paths to choose from, lessening intermodulation interference, and giving you the flexibility to work with the clearest available transmission frequency in a given location.
A handful of wireless microphone systems today have a feature called automatic frequency selection, which readily scans the area for channels and automatically picks the best one. This is especially advantageous to users who do not have a lot of experience manually configuring their wireless systems. Situations that call for multiple system reset on the day of production, as with multi-stage performances, also greatly benefit from automatic frequency selection. Instantaneous scanning and lock-in allow for seamless and hassle-free production.
In general, frequency agility and automatic frequency selection are two convenient features that should be sought after. If your intent is to utilize your wireless microphone system in multiple locations with a lot of other wireless devices nearby, having these two specifications is essential. But if you’re simply looking for a wireless microphone that’s meant for confined use, you can easily get by on models that lack such functions.
User-Friendliness & Display
Having advanced specs is fantastic until you realize you don’t know how to use them. Ease of operation should always be considered when buying any kind of gear, especially when you’re expected to work for hours on end. A user-friendly interface will help you troubleshoot much faster and prevent complications, while an ergonomic design will minimize fatigue on the job. This also covers how compact you want the wireless system to be, whether you want it handheld or bodypack, etc.
You’d also want to be well-informed regarding your equipment’s status. Checking for battery level, signal strength, and selected channels, among others, is vital in ensuring you can arrive at the end of production without any hitches. Pertinent information is typically displayed on the transmitter, but some wireless microphone systems are designed to have them both on the transmitter and receiver for convenience.
Now that you’re armed with the basic knowledge on how to choose the best wireless microphone system, browse our extensive inventory of wireless mic systems to select the right system that meets your needs and specifications.
