By Eric Cohen
Yesterday, Adorama’s very own Daniel Norton hosted another OnSet event at our 18th street location in New York City. By the way, if this hasn’t hit your radar please check it out pronto as Daniel delivers his unique demonstrations every Thursday from 12 pm to 5:30 pm. Geared towards the professional photographer, Daniel offers live tips and tricks within a studio environment. This week’s topic : Advertising Photography. Three separate sessions focused on how to shoot for a magazine cover, a product shot and a lifestyle-editorial layout, respectively.
![]() |
![]() |
One of the more interesting aspects of Daniel’s approach is in how he simulates a client relationship workflow. Although it may be easier to save the use of image effects for the post production comfort of Photoshop, sometimes the client (whether it be a production manager at an advertising agency or a creative head at a magazine) is present at a shoot and therefore needs to have an immediate, visual representation of the photographer’s vision. Taking us through the process step-by-step, Daniel begins with a sketch outline of his intended image, then continues his demonstration of successively taking shot after shot – through trial and error – of the subject by removing light, adding light, even layering one or two images shot under different conditions to create a whole. All this is achieved while keeping the camera and the subject stationary the entire time. Daniel and his team also relied on audience participation much to the amusement of the various onlookers present at the event. Depending on the demonstration, a volunteer could be a model or just help out by holding a speedlight to give off an in camera effect. Which brings to mind a recurring gag on Daniel’s part that should parlay into a social meme for every professional photographer: there’s never enough lens flare. It was a sentiment that would do film maker J. J. Abrams proud.
The first session involved shooting a portrait for a magazine cover. In this case an imaginary foley artist for an upcoming horror film would act as the principal subject. Daniel showed us how to light his model in various ways in order to accomplish the appropriate dramatic effect, often playing with different color gels while shooting the image in black and white.
![]() |
![]() |
The second session demonstrated a product shoot. In this case Daniel photographed the Sony CineAlta camera using as his inspiration an image displayed in the Adorama store. This involved a more painstaking process of adding light step by step (he made great use of a strip box with added grids to illuminate selected areas of the object) while showing the audience the progress via video monitors displayed around the presentation area. He also changed the white balance of the image to give it a bluish chrome-like effect.
![]() |
![]() |
![]() |
During the third session, Daniel set up a lifestyle environment simulating an editorial shoot. In this particular instance a camera was rigged to a c-stand so that it would hover above two volunteers who acted as a photographer and his assistant. Again, through the process of trial and error, different light sources were applied, eliminated then re-applied to achieve the desired result.
![]() |
![]() |
![]() |
![]() |
All in all it was a successful day for the weekly OnSet demonstrations. It is free to attend on every Thursday at 42 West 18 Street in New York City. Also, be sure to check out Daniel Norton’s OnSet video series as he covers similar ground to his in store presentations. But that’s not all… Adorama hosts many upcoming events that you can read about here.