Sony 24-70mm f/2.8 GM II Lens: First Look with Garrett King (@Shortstache)

Written by Garrett King
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Published on April 27, 2022
Garrett King
Adorama ALC

As a photographer, videographer and Sony Alpha Imaging Collective member, finding the right gear to help tell vivid stories through my work is of the utmost importance. So when Adorama gave me the chance to test out the new Sony 24-70mm f/2.8 GM II Lens and put it through its paces, I jumped at the chance. 

Sony 24-70mm f/2.8 GM II Lens | Hands on Overview with Shortstache

First Look at the Sony 24-70mm f/2.8 GM II Lens

Upon unboxing the new Sony 24-70mm lens, I could immediately see the size difference compared to previous models. The new model seems skinnier and definitely weighs less. Whether I’m lugging around gear or have my rig all set up, weight is always a huge component. To have this new lens lighter and more compact, I’m able to save my back and forearms from overuse. Every travel creator can back me on that. 

Photo by Adorama

The Details

I noticed the filter size stayed with an 82mm thread. This is a huge advantage and I’m glad Sony kept this the same. I know it would’ve been a pain to get all new step-down rings, filters, etc. Sony is always thinking of the smallest details.

Photo by Adorama

Additionally, let’s talk about the aperture ring. This appears to be a standard moving forward for the GM lenses. You can always go to full automatic and control the aperture internally, but sometimes it’s nice to have it locked in for specific purposes. Personally, I enjoy the mechanics of the ring.

I also noticed the “Smooth and Tight” slider on the side of the lens. This will especially come in handy when I’m filming, or need to steadily zoom in or out. The variety is nice considering different movements work for different people.

Photo by Adorama
Photo by Adorama

Out in the Field

After first looks, I was able to get out in the field and put this lens to the test. I don’t typically use the 24-70mm for photos, but I use it nonstop for filming. During this session, I wanted to use it for both photos and filming so I met up with my buddy Justin to set up a dusk patrol surf session photoshoot. We started late in the afternoon to see how the lens would handle harsh direct light, what the flares looked like, and recognize any ghosting or weird colors.

Photo by Adorama

The lens handled everything like a champ. I was glad to see the buttery bokeh and sharpness in my images — no matter what direction I shot. After snapping some photos, I wanted to test out the high performance tracking from the new four motors that are in the lens, as opposed to the one motor from the previous version. I had Justin walk in and out of the light towards me to try and throw the focus off while also zooming in and out. The lens stayed focused the entire time. The shoot went flawlessly and I got nothing but stellar images.

Final Thoughts

I’m not one who is enthralling in learning the mechanics of how one lens works versus another. Although, I can sense the smallest of details when I’m actually shooting. I made sure I paid attention to every little thing I was using, and I was impressed with the Sony 24-70mm GM II Lens across the board. This lens has solid glass and sweet results. If I was looking for just one versatile lens, this new Sony 24-70mm GM II Lens would be it. It’s perfect for capturing both film and photos, and provides so much variety in how you capture. The Sony 24-70mm f/2.8 GM II Lens is a solid build and great new addition to the Sony line up. Shortstache™ approved.

Check out my shots from the photoshoot below:

Garrett King (Shortstache™) is a photographer & videographer out of Southern California. He is best known for his specific style of editing and his ability to capture the “big picture” by focusing on the small details.