Hendrick, tell us a bit about your approach to wedding photography.
I think I thrive on being a bit different, a bit edgier. Quite honestly, as a wedding photographer in NY and NYC in particular, the market is so saturated, that one’s only hope is to stand out. I’m all about dramatic and creative lighting, and from the very beginning, I’ve never been fond of safe and standard, “Smile at the camera!” type photography. I think that’s been a big part of my success.
What is the philosophy or mantra of your work?
Personally, my philosophy is that I want to draw the viewer in with something stellar that still shows off the subjects’ personality that they can keep and show to future generations… I feel like we have such a responsibility (and really, quite an honor) to do well for our clients in this regard.
How did you get started in wedding photography?
While it’s always been something I’ve loved doing, I had the great fortune of being able to second-shoot for my (now) sister-in-law’s wedding in South Africa. That started my love for wedding photography specifically. I then shot my very first solo wedding referred by friends who were doing cinematography for it at the Waterside in North Bergen, NJ, and it all snowballed from there.
What advice do you have for photographers new to the wedding business?
Basic advice is to always have backup equipment, which is absolutely essential, and something that probably shouldn’t even need mentioning.
Second, always look for the light, and learn how to use it to your advantage. That means not being afraid of direct sunlight at any time of day. Bring your own off-camera lighting when the ideal light isn’t available naturally. Make the direction of your light the priority over the softness of your light when your intent is to flatter.
Always look ahead. And up. And down. Pretty much, everywhere.
Lastly, never stop learning.
Learn more about Hendrick Moy and his work here:
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Curious about what equipment Hendrick uses at his shoots? Check out the contents of his gear bag below.
Canon 5D Mark III
Canon Speedlites triggered with Radiopoppers
Canon 16-35 F2.8L II
Canon 24-70 F2.8L II
Canon 70-200 F2.8L IS II
Canon 100 F2.8L IS Macro
Canon 135 F2L
Sigma 50 F1.4 Art
Sigma 85 F1.4
