If you are a creative professional, you understand that big ideas require a lot of real estate. That’s why LG’s UltraWide 21:9 Monitors are a great tool for designers, photographers, producers and other creative professionals—the monitors provide all the space, picture quality and color accuracy you need for the best results.
LG’s Seriously Professional Campaign introduces us to creative talent who understand why the right equipment is crucial and illustrates how the UltraWide 21:9 Monitors help them realize their visions.
Jessica Walsh
Jessicais a New York-based art director and designer widely recognized for her adventurous and uncompromising style. The RISDE graduate is currently a partner at Sagmeister & Walsh, where she creates TV commercials, ad campaigns, and also works on re-branding assignments.
Although Jessica often starts her work off the computers with pen and paper sketches, she says a majority of her work takes place on the computer. She explains, “It’s really important that the screen that we’re working on has a lot of real estate, because we’re often working in many different software applications. And to be able to flow seamlessly between those things, it’s really important to be able to see all of them at once. It allows us flexibility to play the way that we do in real life, experimenting with various things. When you can see things large, and really get into the detail of it, it often helps improve the work.”
Meet Jessica:
Mark Feist
Mark Feist says the UltraWide 21:9 Monitors are a game-changer. As a multi-platinum producer and songwriter, he has sold 35 million records worldwide. Music is Mark’s life and he says that as much as heneeds to hear his music, he also needs to see it.
“What makes these monitors so special in terms of the visuals is that anywhere I’m sitting, I can still identify where I’m at and see it very clearly without really any change in color or, from a different angle, it looks … Everything looks the same from wherever you are in the room, which is super powerful because if I’m sitting there and the bass seems to not be kicking the way it should, I can glance up and look at the fader or look at the, look at the audio file and say, ‘Oh, you know what? It’s right there.’”
Meet Mark:
