In the growing cine lens market, DZOFILM provides unique and professional options. Its cinema lenses feature a strong optical foundation that ensure they convey excellent images with their own unique texture and feel. The long-awaited Catta FF for PL/EF mounts are finally here. Check out the new 35-80mm T2.9 and 70-135mm T2.9 zoom lenses.
All over the world, DZOFILM has impressed creators and filmmakers alike. The DZOFILM Catta lineup has been a hit, but it was previously available in only a few mount options. Now, with PL/EF, your choices are endless. Although the lenses are similar, let’s dive into a quick refresher and look at some of the differences with the PL/EF DZOFILM Catta zooms.
DZOFILM Catta PL/EF Cinema Lenses Key Features:
- Focal Lengths 35-80mm, 70-135mm
- T2.9 – T22 Aperture
- Image Circle: Vista Vision (46.5mm) Sensors
- 80mm Front Filter Size
- PL / EF Mounts (additional E/RF/L/X/Z mounts available)
- Cinematic image quality, Natural skin tones
- Lighter, Stronger Parfocal and Better Breathing Control
- Clean image when Wide Open
- 16 Blade Iris with Round Bokeh and Fine Details
- Standard quick-release, interchangeable mount
- Includes Pelican Safety Case
- 35-80mm T2.9 weighs 3.6 pounds, 70-135mm T2.9 weighs 3.77 pounds
- Black Metal Exterior
The majority of DZOFILM cinema lenses are used by indie filmmakers for their productions and the cost of the glass is extremely affordable. DZOFILM glass is considered one of the most cost-effective and ideal sets on the market.
The Benefits of DZOFILM Lenses:
As DZOFILM continues to demonstrate its commitment to creating affordable glass, the company introduced two brand new cinema zooms capable of covering Vista Vision (large format) 46.5mm sensors. It offers a wide focal length, authentic color reproduction, and improved focus breathing, resulting in a cinematic image. Finally, these lenses are very light and affordable.
Directors of Photography (DP’s) who use Catta zoom lenses can cover all of the basic focal lengths without wasting time switching lenses. The polycarbonate and glass fiber helps to keep the zooms as light as possible. Mechanically and optically, these lenses are identical, combining a wide-angle and telephoto lens in a seamless way with smooth articulation and a manual focus range of 270 degrees.
The 16-blade iris produces round, smooth bokeh for a natural transition and fine details throughout each image. Featuring a parfocal design, these lenses are ideal for indie filmmakers, gimbal and drone shots, and documentary filmmaking. With near-perfect focus breathing, the edge of the frame always remains constant, allowing the audience to immerse themselves in the story you created.
The unique feature of the Catta zooms is the quick-change bayonet mount system which makes it easy to swap between mounts and filters. Instead of the traditional white color of previous Catta Zooms, the PL / EF versions will be black. Additionally, DZOFILM offers a LPL-Mount Tool Kit for Vespid Prime and Catta Ace lenses.
DZOFILM Lenses: A Top Pick for Filmmakers
DZOFILM has strong roots in the filmmaking community. With the Catta FF Zoom lenses, content creators, filmmakers, and even brave adventurers can all find endless value in generating new experiences. DZOFILM keeps its products compact and versatile, as well as affordable, all while balancing aesthetics and utility.
If you’ve been in the market for a pair of new cine lenses or have just been looking for an upgrade, check out the new DZOFILM Catta ACE ZOOM Full Frame Lenses, 35-80mm and 70-135mm, on sale in PL/EF options. Other mounts such as E/RF/L/X/Z are already available. Additionally, each lens comes with its own safety case and can be purchased separately or in a bundle package.
